Anime 29893 Aria The Avvenire

I think it's safe to say that Aria the Avvenire was truly a miracle of an anime.

First, some history. It's hard to appreciate this incredible ending to the Aria series without a bit of backstory. Aria began as a manga series in 2002 and enjoyed a very successful six-year run following the story of Mizunashi Akari and her dream of becoming a Prima Undine. It was adapted into a three-part anime series: Aria the Animation in 2005, Aria the Natural in 2006, and Aria the Origination in 2008, with both the anime and the manga ending at around the same time. And for seven long ... years, everyone thought that their magical journey through the waterways of Neo Venezia had finally come to an end.

That's when the miracle happened. Collaborating with the original author Kozue Amano, the entire staff of the Aria series decided to return for a special 10th anniversary story. A new studio, TYO Animations, was able to gather up the original producer, screenwriter, and all the voice actors once again - with the exception of Kawakami Tomoko, who passed away in 2011 (she still reprises her role in the OAV series in her honor). Kozue Amano even did the character designs for the new characters and wrote a special one-shot manga alongside Avvenire. Once again, the waters of Aqua were stirring.

Simply put, Avvenire rewards fans of the Aria series with the best combination of gifts: closure on unresolved storylines and a preview of the future of the girls we've come to admire as our tour guides of this series. The flashbacks were actually well-done, with glimpses of things during the series that were never fully explained or developed. I was thoroughly impressed they decided to go back and explain why Cait Sith, who played such a big role in Natural, was not even mentioned once in Origination. A common theme that Avvenire makes clear is that past and present are connected, and the flashbacks do a good job of relating the two together.

Aria the Avvenire picks up chronologically after the time skip at the end of Origination, with Aino Ai joining Akari at the Aria Company. Seeing Ai come from being Akari's first unofficial customer to her pupil, with them exchanging letters the whole series through is unbelievably satisfying. She meets Aika and Alice's new pupils (their names also start with A because combo) and they become close friends. I think the generational thing is cute, though by the third generation it's hard to have anything new: Anya and Azusa seem too similar to Aika and Alice and there was obviously no time to develop any sort of character whatsoever. Also, huge demerits for poorly written dialogue and spamming of the English word "miracle"; at least substitute "kiseki" in there occasionally.

The art direction in Avvenire is outstanding. There are so many golden moments, especially in the flashbacks. Cait Sith and Akari falling from the sky. Akari and Alicia enjoying the Neo Venezian evening with the night-light bell. They took the time to update decade-old art with modern standards while paying homage to the original style. All in all fantastic. I only wish they had more budget so they could redraw the flashback scenes from Origination in the third OVA.

Each OVA begins with a different OP from the original anime run: Undine, Euphoria, and Spirale, all by Makino Yui. Good choice, brings the nostalgia back and also themes each episode to correspond to a different season of the original anime.

Aria had a great ending with Origination and the original ending of the manga. But the effort that the author and the returning staff took to create something that both honored and continued that legacy can be clearly seen. I think Avvenire is an important piece to the landscape of Aqua that has been carefully pieced together for over a decade now. And with this, who knows what will come in the future? That's the miracle of hope that Avvenire leaves behind.

It's been some five years since I last watched Aria. In that large expanse of time, I've had several moments where I wondered if there was something missing in my experience of the series, as while I always thought Aria to be pleasant and enjoyable, it never quite had the same magic that so many others seemingly felt.

And indeed, with the beautiful Euforia playing once more in Avvenire's second episode, I was truly, honestly, starting to become convinced that I was wrong. But as the third episode drew to its close, and I noticed I had not felt much of anything since Euforia left ... my ears, the one, penetrating thought that came to mind was "Oh. So this was why."

Aria has been described by many as an "iyashikei" -- healing -- series. There's no doubt that is the case. Aria's beautiful setting (modelled after Venice - arguably the prettiest city on Earth), its relaxing music, dreamlike moments and happy-go-lucky characters are sure to make anyone's day just a little bit brighter. There are scarce few anime with an atmosphere like Aria's and such an ability to relax and make people feel warmer inside. Aria aims to do only one thing, and it does so masterfully. It would be a considerable challenge to dispute such.

But I've realised something through watching Avvenire. I know now why Aria never hit those strong emotional beats for me. Its bright, rainbow-coloured torrent of happiness doesn't feel tangible. It feels, like the series itself, a fantasy, out-of-reach, never to be grasped.

Some anime portray life as being far more miserable than it truly is. And Aria portrays life as being more joyful than it is. It is the balance between these two extremes-- the good and the bad, often crossing and intertwining-- that give emotional weight to a moment in time. Life is beautiful precisely because it is flawed and difficult. If every moment is happy, then happiness ceases to exist.

I don't want to be held and told everything will be OK. That doesn't accomplish or fix anything. I want to be beaten down and grow stronger for it. I want to face my problems head-on and surmount them. That is what life is about, and that is how people attain their happiness. Life is a rollercoaster that consistently winds upwards, downwards and sidewards; it is not a gondola leisurely floating across the sea.

While Aria's worldview may be naive, that is not to imply I think the rest of the series is bad for it. It is quite the opposite. Aria, as it is, is a well-crafted, at times excellent slice-of-life series, exemplary within and outside its genre. It found its footing in the The Natural, peaked in The Origination, and has ended things gracefully in The Avvenire. Even with seven years spanning between the production of the previous season and Avvenire, the feel and the quality remains the same (though the art can occasionally dip to levels decidedly below average), and any fan of Aria is bound to have a lovely time with it throughout its regrettably short three-episode run.

More is just the one thing it needed, if largely because I wanted to learn more about the new girls. So little is said about them that they feel more idea than character. Avvenire is in effect an epilogue - a farewell rather than a new beginning, which can be a bit unexpected due to the addition of these characters. Who are they? What will their story look like from here on? It is only in the latter half of the third episode does one realise that there was no tease, and that it was already over.

Aria the Avvenire is a sweet, yet brief return to a series well-regarded. It expands upon Akari's and Alicia's relationship in a meaningful way, and consequently exists as more than mere fanservice. It may be optimistic to the point of nausea, but then I suppose one can only fault Aria so much for being Aria.

Literally so dead, what even is happening. The story starts after 5 minutes of camera shots over copy pasted water and then the character's make no sense on top of a collapsing need to end the episode before I've started it. Couldn't finish and won't pick up again. Literally so dead, what even is happening. The story starts after 5 minutes of camera shots over copy pasted water and then the character's make no sense on top of a collapsing need to end the episode before I've started it. Couldn't finish and won't pick up again. Literally so dead, what even is happening. The story ... starts after 5 minutes of camera shots over copy pasted water and then the character's make no sense on top of a collapsing need to end the episode before I've started it. Couldn't finish and won't pick up again.