Anime 32843 Senki Zesshou Symphogear Xv


Alternative Titles

Japanese: 戦姫絶唱シンフォギアXV
English: Symphogear XV
German: Symphogear XV
Spanish: Symphogear XV
French: Symphogear XV


Information

Type: TV
Episodes: 13
Status: Finished Airing
Aired: Jul 7, 2019 to Sep 29, 2019
Premiered: Summer 2019
Broadcast: Sundays at 01:00 (JST)
Licensors: Discotek Media
Studios: Satelight
Source: Original
Genres: ActionAction, Sci-FiSci-Fi
Themes: Idols (Female)Idols (Female), MusicMusic
Duration: 23 min. per ep.
Rating: PG-13 - Teens 13 or older

Statistics

Score: 8.211 (scored by 1419814,198 users)
1 indicates a .
Ranked: #3662
2 based on the top anime page. Please note that 'Not yet aired' and 'R18+' titles are excluded.
Popularity: #3560
Members: 39,538
Favorites: 889

Available At


Resources


8.21
Ranked #366Popularity #3560Members 39,538

Synopsis

Humanity is finally confronted with the threat of the Custodians—the ancient, sentient species held responsible for cursing humanity to speak different languages thousands of years ago. The Symphogear wielders—Hibiki Tachibana, Tsubasa Kazanari, Chris Yukine, Maria Cadenzavna Eve, Kirika Akatsuki, and Shirabe Tsukuyomi—are sent to the Antarctic in order to retrieve an ancient relic. After securing it and rescuing the scientific staff present there from a Coffin, the automated defense mechanism protecting it, the relic is given to American researchers due to international agreements.

The criminal organization Noble Red, a remnant of the previously fought Bavarian Illuminati, starts targeting the relic. Will the Symphogear wielders and their supporting organization S.O.N.G. be able to foil the plans of the organizations conspiring against them?

[Written by MAL Rewrite]

Background

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Related Anime


Characters & Voice Actors


Staff

Morii, Yuusuke
Producer
Ono, Katsumi
Director
Motoyama, Satoshi
Sound Director
Hirano, Hiroki
Episode Director, Storyboard


Opening Theme

"METANOIA" by Nana Mizuki

Ending Theme

1: "FINAL COMMANDER" by Nana Mizuki (eps 1)
2: "Lasting Song" by Ayahi Takagaki (eps 2-6, 8-11)
3: "Sforzando no Zankyou (スフォルツァンドの残響)" by Inroi Minase (eps 7)
4: "METANOIA" by Nana Mizuki (eps 12)
5: "Ashita e no Flügel (未来へのフリューゲル)" by Aoi Yuuki, Nana Mizuki, Ayahi Takagaki, Yoko Hikasa, Ai Kayano, Yoshino Nanjou, and Yuka Iguchi (eps 13)




Reviews

Nov 10, 2023
Do not let the scores deceive you, watch it for yourself, heck just listen to its OST. Do anything else, the experience is everything. You are an individual, but that means that those around you will do their best to reach you with thier songs.

This series holds a very special place in my heart, as not only was it basically my first hyper-obsession back in middle school, it also was the very first anime i went out of my way to watch on my own. This is also the show that brought Nana Mizuki to my attention, and many of her songs on this show ...
Dec 4, 2020
Mixed Feelings
Following the panache of thrills and impassioned character-writing in AXZ, Symphogear XV had big shoes to fill. In my opinion, this season is a mixed bag. The beginning still carries in waves of residual oomph from the previous season, but the villains weren't as impactful and some of the plot fell in line with old narrative devices, that were implemented in past seasons. It didn't feel as fresh or inventive, but, it was an impressive feat, nonetheless!

⚠️ This review will have spoilers ⚠️

—Story/Characters

This season starts out with a bang, when a beautifully animated concert-duet between Tsubasa and Maria goes awry! The crowd is mercilessly slaughtered ...
Dec 26, 2020
So, I watched Symphogear for the first time before this season was out, time passed, then I found out this came out, so I rewatched all of it before I picked this up.

I wanted to say a lot of things about it because Hibiki is a character I adore, Chris is dear to me, and I overall enjoyed the show up to this point. But then this came out and, hm, how to put it.

I'm Jewish. I know not to expect too much about ethno-religion sensitivity when dealing with media from Japan but this was far and beyond what I'm used to as someone who's ...

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